My practice is a constant reinvention— plastic doesn't decompose- it gets recycled. This is a process where pleather and PVC converge with found objects and my own body, transcending their origins. Each sculpture is a tension between materiality and innuendo, a manifestation of craft that elevates nostalgia to a more taboo conclusion. Through my meticulous pleather-working execution, I disrupt the boundaries of form and function, creating works that are at once intimate and sexually unsettling and transgressive.